{"id":8648,"date":"2025-04-24T13:22:05","date_gmt":"2025-04-24T05:22:05","guid":{"rendered":"https:\/\/www.kapallorek.com\/my\/?p=8648"},"modified":"2025-05-06T22:44:47","modified_gmt":"2025-05-06T14:44:47","slug":"moving-on-asia","status":"publish","type":"post","link":"https:\/\/www.kapallorek.com\/my\/moving-on-asia\/","title":{"rendered":"MOVING ON ASIA"},"content":{"rendered":"

LOOP LAB BUSAN<\/strong>
\nMoving on Asia<\/strong><\/p>\n

In the shifting topographies of contemporary media art, Moving On Asia offers an incisive reflection on the state of the moving image in the Asia-Pacific region. Brought forth through collaboration with 21 curators and 27 artists from 15 countries, this exhibition\u2014and the constellation of screenings, forums, and discursive encounters that accompany it\u2014seeks not merely to present, but to probe, the evolving vocabularies of time-based practice in a technologically mediated world. Here, the familiar distinctions between document and fiction, gesture and code, are quietly, but purposefully, undone. What emerges is not a uniform vision of Asia, but a constellation of aesthetic strategies that attend to the specificities of context while remaining attuned to shared urgencies: the violence of historical erasure, the precarity of community, the resilience of embodied expression.<\/p>\n

Exhibition<\/p>\n

Domoheon SoSopung Lounge 15th April 2025 – 29th June 2025
\nArtists: Tuan Mami, Enoch Cheng, Ivonne Kani, Ragil Dwi Putra, Heidhir HAMDAN<\/strong>, Yusuke Sasaki, Gary Zhexi Zhang, Puvamin Indee, Lih Ocampo, Gary-Ross Pastrana, Thao Nguyen Phan, Amrita Hepi,Hayley Millar Baker, Khin Thethtar Latt, Davaajargal Tsaschikher, Bat-Erdene Batchuluun, Korakrit Arunanondchai, Woojin Jang<\/p>\n

Forum<\/p>\n

Domoheon Dahal 24th April 2025 10:00 \u2013 17:00
\nCurators: Wang Han Fang, Wang Wei Wei, Rahmadiya Tria Gayathria, Fadly Sabran<\/strong>, Tada Kaori, Iris Long, Pipakaporn Pornpeng, Clarissa Chikiamco, Carlos Quijon, Jessica Clark, Megan Tamati-Quennell, Oo Haymann, Seung A Lee, Bilguun Tuvshinbold<\/p>\n

Screening<\/p>\n

Busan Cinema Center IndiePlus 25th April 2025 13:00 \u2013 19:00
\nScreening&Talk: Wu Dar-Kuen, Richard Streitmatter Tran, LENG Lin, SUMITOMO Fumihiko, LI Zhenhua, Alexie Glass-Kantor, Gridthiya Gaweewong, YUAN Goang-Ming, Yang Fudong, Mel Ocallaghan, Som Supaparinya, Zhou Bin, Tram Luong, Jompet Kuswidananto, Meiro Koizumi<\/p>\n

Busan Cinema Center Cinematheque & BIFF Theatre
\n7th May 2025 – 14th May 2025
\nArtists: Yuan Goang-Ming, Tram Luong, Meiro Koizumi, Jompet Kuswidananto, Mel Ocallaghan, Yang Fudong, Zhou Bin, Som Supaparinya, Awanui Simich-Pene, Tuan Mami, Enoch Cheng, Ivonne Kani, Heidhir HAMDAN, Yusuke Sasaki, Gary Zhexi Zhang, Puvamin Indee, Lih Ocampo, Gary-Ross Pastrana, Thao Nguyen Phan, Amrita Hepi,Hayley Millar Baker, Khin Thethtar Latt, Davaajargal Tsaschikher, Korakrit Arunanondchai, Woojin Jang<\/p>\n

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Watch video here https:\/\/www.kapallorek.com\/my\/parasite-eve-by-heidhir-hamdan<\/strong>\/<\/a><\/strong><\/div>\n
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Video Art by Heidhir Hamdan<\/strong><\/div>\n
Parasite Eve<\/div>\n
2024<\/div>\n
3min 9sec<\/div>\n
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Research paper by Fadly Sabran<\/strong><\/div>\n
Research title: Parasite Eve: A Fusion of Scientific Speculation & Malay Cosmology<\/div>\n<\/div>\n
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Introduction<\/p>\n

Contemporary art is a powerful medium for expressing societal concerns and aspirations. Artists use it to explore complex themes that challenge ideas of identity, culture, and technology. Malaysian contemporary artist Heidhir Hamdan incorporates scientific speculation and Malay cosmology in his work, offering a distinctive perspective on humanity\u2019s evolving relationship with technology. His art reflects the tension between progress and tradition, raising questions about autonomy, identity, and cultural heritage in an increasingly digital world. Through this fusion, Heidhir creates thought-provoking visual narratives.<\/p>\n

Scientific Speculation in Heidir\u2019s Work<\/p>\n

In Parasite Eve<\/em>, Heidhir explores technology as a parasitic force that gradually takes control of human life. The artwork reflects contemporary fears about the rapid, unchecked advancement of technology and its profound impact on human identity. Through compelling visuals and narrative, Heidhir envisions a future where technology seamlessly integrates into human existence rather than serving as a mere tool. The depiction of a synthetic humanoid, flawed yet striving for perfection, underscores the blurring line between humans and machines. This thought-provoking representation raises critical questions about autonomy, control, and the consequences of technological evolution in shaping human nature.<\/p>\n

Cosmology of the Malay World<\/p>\n

Malay cosmology is a rich and complex belief system shaped by various traditions and religions throughout the region\u2019s history. Heidhir integrates elements of traditional Malay cosmology in his work, emphasizing the delicate balance between humans, nature, and the supernatural. In Malay tradition, the story of Adam and Eve, who disobeyed God\u2019s command, plays a crucial role in shaping the Malay-Islamic worldview on human origins, responsibilities, and their relationship with God. Within this perspective, technology is often seen as a disruptive force that threatens cosmic harmony. Heidhir\u2019s work warns against unchecked technological progress, illustrating its potential to destabilize this equilibrium. By bridging tradition with modern concerns, he highlights the need to preserve balance amid rapid technological change and globalization.<\/p>\n

Cultural Influence and Implications<\/p>\n

Heidhir\u2019s fusion of scientific speculation and Malay cosmology reflects a profound cultural influence, encouraging viewers to rethink technology\u2019s role in their lives and its broader cultural impact. By blending traditional and futuristic elements, his work bridges the past and the future, creating a dialogue that underscores the importance of cultural heritage in an era of rapid global change. Through this interplay, Heidhir emphasizes the need to remain connected to cultural roots while navigating the complexities of technological advancement.<\/p>\n

Conclusion<\/p>\n

Heidhir\u2019s \u201cParasite Eve\u201d serves as a compelling example of how contemporary art can intertwine scientific speculation and cosmology to critically examine societal themes. By exploring the interactions between people and technology, Heidhir prompts viewers to reflect on cultural values and the long-term consequences of technological advancements on human identity and the cosmos. His work contributes to an essential dialogue about ethics and the future in an increasingly technology-driven world. Furthermore, by merging traditional concepts with modern challenges, Heidhir emphasizes the necessity of maintaining balance amid rapid technological change. This multifaceted approach not only enriches the conversation surrounding technology and society but also encourages a thoughtful consideration of our collective future.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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